The Happening at Village Underground
This week I was lucky enough to check at The Happening in both London and Cornwall. On Tuesday night the show rolled into Village Underground, Shoreditch. The venue was great and it was a nice sunny evening which is always a bonus. The brick, arched interior provided an atmospheric backdrop and the rooftop terrace, scattered with reconditioned tube carriages, was set up by the Roxy crew with promotional posters and clothing.
Photography by Joe Curren
With art from established names such as Andy Davis, Thomas Campbell, Harry Daily and David Lloyd, photography from Joe Curren and Ryan Heywood, films from Woodshed productions and music from Mason Jennings, Neil Halstead, Zach Gill and G Love it really was a rare treat.
Zach Gill
However, it was a disappointment that there weren't more artists on hand to talk about their artwork and inject some real life into the fantastic array of pictures and films that the event its supposed to represent. In their absence, which was partly due to the artists having to fund their own travel, there was no information available on the art which left the focus firmly on the music and film. It was also a shame that so many people who should have known about the show well in advance saw it completely pass them by. Tickets were available on the door and there was plenty of room inside. This wasn't through a lack of interest, but largely because the marketing for this event was pretty low key and communications virtually non-existant.
The tube carriages
Fast forward three days to a windswept, sodden Gwithian and The Happening had arrived in Cornwall. The weather outside had no impact on the jubilant mood inside and the Sandsifter was packed the rafters with a tent out the front to host the musicians who included Mason Jennings, Neil Halstead, Matt Costa and G Love.
Matt Costa
The vibe was really friendly and although the art was a bit crammed in it felt very at home in its location. It was a bonus to meet Mike Fordham, man behind September and the Book of Surfing, and chat with Helen Gilchrest about her plans for Stranger magazine. There weren't any pieces from Wolfgang Bloch or Andrew Kidman but it was good to see local artists such as Ben Cooke represented.
Harry Daily
Photography by Joe CurrenWith art from established names such as Andy Davis, Thomas Campbell, Harry Daily and David Lloyd, photography from Joe Curren and Ryan Heywood, films from Woodshed productions and music from Mason Jennings, Neil Halstead, Zach Gill and G Love it really was a rare treat.
Zach GillHowever, it was a disappointment that there weren't more artists on hand to talk about their artwork and inject some real life into the fantastic array of pictures and films that the event its supposed to represent. In their absence, which was partly due to the artists having to fund their own travel, there was no information available on the art which left the focus firmly on the music and film. It was also a shame that so many people who should have known about the show well in advance saw it completely pass them by. Tickets were available on the door and there was plenty of room inside. This wasn't through a lack of interest, but largely because the marketing for this event was pretty low key and communications virtually non-existant.
The tube carriages
Matt CostaThe vibe was really friendly and although the art was a bit crammed in it felt very at home in its location. It was a bonus to meet Mike Fordham, man behind September and the Book of Surfing, and chat with Helen Gilchrest about her plans for Stranger magazine. There weren't any pieces from Wolfgang Bloch or Andrew Kidman but it was good to see local artists such as Ben Cooke represented.
Harry DailyI had pretty high expectations for the Happening and although I certainly wasn't disappointed I would have liked to have seen more focus on the artwork. Cornwall hosts gigs all the time but the opportunity to see art from some of the most recognised surf artists of our time is much rarer. The concept is genius and lets hope they come back even bigger and better next year.
